Online home of Limerick Reviews, plus a collection of acerbic observations on the state of musical drama and the art of lyric writing.
Tuesday, January 27, 2015
Review: The Flash, S1 E11, The Sound And The Fury
As previously mentioned, the character of The Flash has one of the best-remembered rogues galleries in comics, and one of the most prominent of those villains is Pied Piper, perhaps best remembered for coming out as gay in issue #53 of The Flash in 1991. It was an ahead-of-its-time move, and one that has made the character stand out even in the crowded field of Flash rogues ever since.
And now that we finally see the first appearance of the character on The Flash TV show, that element is nicely handled, neither glossed over nor allowed to define the character on its own. Rather, this version of the character - civilian name Hartley Rathaway - is given an Asbergers-ish, even Sherlockian quality. True to that idea, he seems to know more about everyone in the room than anyone in the room, and is just as deliberately abrasive as that might imply. Additionally, of course, his smugly-withheld knowledge of various character secrets allows the writers of the show to hint at mysteries yet to be unraveled for the viewers.
Unlike last week, this episode tries to be hyper-cerebral almost to a fault, with the dense jargon about sound waves being more than likely to confuse some viewers, particularly as the climax nears. Also unlike last week, this episode moves the season arc forward considerably, as the great cipher of the series, Dr. Harrison Wells, has a great many of his secrets stripped away with even more hinted to come. Of course, the greatest secret surrounding that character - his identity - remains a very deliberate mystery. I will discuss that briefly in a spoiler section at the end of the review.
Before that, we have just enough time for a few observations. First, the episode opens with Barry foiling a robbery by the Royal Flush Gang from the comics, although the card-face motorcycle helmets they wear are really the only aspect of their outfits that really identify them as such. Second, the subplot with Iris getting a job at a major newspaper may pay off later in the season, but in this episode it feels remarkably vestigial, really only serving to make the life-and-death elements seem markedly less urgent. Third and finally, the alternating cooperation and antagonism between the folks back at Star Labs keeps things interesting throughout the episode, and gives me to hope that their on-off resentment of Dr. Wells will force him to show his hand sooner rather than later.
In summary, this is an excellent episode of The Flash, both as fun and as full of vaguely obtuse intrigue as that would imply.
Spoiler-ish final notes--
The episode actually does some very clever things with Dr. Wells. The writers know that the biggest question with the character is his true identity, and so they drop multiple - and contradictory - hints as to the answer. This is why we have Barry sliding into what is almost a Wells impression during a conversation with Iris, seemingly lending credence to the theory that Wells is actually a future timeline version of Barry himself. Then we have Wells having to replenish his connection to the Speed Force - nice little comics shout-out there, incidentally - which suggests he might be someone else entirely. Then we have him addressing his house computer as Gideon, which some have interpreted as a reference to the DC Comics New Gods. This is all deliberate wrong-footing on varying scales of cleverness, and as such gives us no real hints. But boy is it fun to fruitlessly speculate! Until next week, friends!
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